{"id":3652,"date":"2018-02-19T04:51:21","date_gmt":"2018-02-19T12:51:21","guid":{"rendered":"http:\/\/www.billymasters.com\/custom\/?p=3652"},"modified":"2018-02-19T04:51:21","modified_gmt":"2018-02-19T12:51:21","slug":"chess-and-wss-in-dc","status":"publish","type":"post","link":"https:\/\/www.billymasters.com\/custom\/blog\/2018\/02\/19\/chess-and-wss-in-dc\/","title":{"rendered":"Chess and WSS in DC"},"content":{"rendered":"<p>Speaking of Chita, I zipped to our nation\u2019s capital to see a couple of special theatrical events.&nbsp; The first was the&nbsp;<em>National Symphony&nbsp;<\/em>performing a truncated concert version of&nbsp;<strong><em>West Side Story<\/em><\/strong>.&nbsp; This almost nonsensical rendition decimated the story to the point that many people couldn\u2019t figure out what was happening!&nbsp; But it did underline the genius of&nbsp;<strong>Leonard Bernstein<\/strong>\u2019s score and&nbsp;<strong>Stephen Sondheim<\/strong>\u2019s words.&nbsp; One expected that an entire symphony orchestra and some of&nbsp;<em>Broadway<\/em>\u2019s finest young talents would deliver a high-wattage evening, but everything was on a low simmer and never came to a boil.&nbsp; It was&nbsp;<em>West Side Story Lite<\/em>&nbsp;&#8211; although the staging by&nbsp;<strong>Francesca Zambello&nbsp;<\/strong>kept things moving.&nbsp; In a typical production in a small house, these voices would likely have been fine.&nbsp; But, given the sound mix, nobody quite rose to the level of the event.&nbsp; A missed opportunity, indeed.<\/p>\n<p>The following night, I saw the latest revision of the musical&nbsp;<strong><em>Chess<\/em><\/strong>, with a new book by&nbsp;<strong>Danny Strong&nbsp;<\/strong>and direction by&nbsp;<strong>Michael Mayer<\/strong>.&nbsp; And once again, an all-star cast was on hand, led with aplomb by&nbsp;<strong>Ra\u00fal Esparza&nbsp;<\/strong>playing Freddy.&nbsp; While I missed his acerbic take as the Arbiter (the role he played in Seth Rudetsky\u2019s Broadway concert version in 2003), there\u2019s no denying he\u2019s a terrific Freddy, with rock star abandon and swagger balancing out the quieter bipolar moments.&nbsp; It was a magnetic performance.&nbsp;&nbsp;<strong>Ramin Karimloo&nbsp;<\/strong>may be the best all-around Anatoly I\u2019ve ever seen \u2013 complete with a consistent Russian accent!&nbsp; As Florence,&nbsp;<strong>Karen Olivo&nbsp;<\/strong>showed us exactly what was missing from the previous night.&nbsp; She\u2019s not lost any power, bite, or presence since her 2009&nbsp;<em>Tony<\/em>-winning Anita in&nbsp;<em>WSS<\/em>.&nbsp; For me,&nbsp;<strong>Ruthie Ann Miles&nbsp;<\/strong>was the weakest link.&nbsp; Her Svetlana looked like a refugee from the mid-90s Moscow bus and truck tour of&nbsp;<strong><em>Miss Saigon<\/em><\/strong>&nbsp;\u2013 as the matinee cover for Kim!&nbsp; Was she bad?&nbsp; No \u2013 just not up to the standard of her colleagues.&nbsp; The theatre had electricity in the air.&nbsp; Every entrance, every number, every moment was met with a roar of applause, making it quite an \u201cevent\u201d.&nbsp; Has Strong fixed the show?&nbsp; Nope \u2013 he\u2019s solved some problems, but created others.&nbsp; After seeing this, I\u2019m more certain than ever that a perfect&nbsp;<em>Chess<\/em>&nbsp;is impossible.&nbsp; But it\u2019s still a helluva great evening of theatre.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Speaking of Chita, I zipped to our nation\u2019s capital to see a couple of special theatrical events.&nbsp; The first was the&nbsp;National Symphony&nbsp;performing a truncated concert version of&nbsp;West Side Story.&nbsp; This almost nonsensical rendition decimated the story to the point that many people couldn\u2019t figure out what was happening!&nbsp; But it did underline the genius of&nbsp;Leonard<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-3652","post","type-post","status-publish","format-standard","hentry","category-breaking"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/3652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/comments?post=3652"}],"version-history":[{"count":1,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/3652\/revisions"}],"predecessor-version":[{"id":3653,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/3652\/revisions\/3653"}],"wp:attachment":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/media?parent=3652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/categories?post=3652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/tags?post=3652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}