{"id":4529,"date":"2018-12-17T01:39:38","date_gmt":"2018-12-17T09:39:38","guid":{"rendered":"http:\/\/www.billymasters.com\/custom\/?p=4529"},"modified":"2018-12-17T01:39:38","modified_gmt":"2018-12-17T09:39:38","slug":"billy-reviews-broadway","status":"publish","type":"post","link":"https:\/\/www.billymasters.com\/custom\/blog\/2018\/12\/17\/billy-reviews-broadway\/","title":{"rendered":"Billy Reviews Broadway"},"content":{"rendered":"<p>Then I had to rush to LAX to catch a plane to NYC.&nbsp; Since I paid for all my show tickets, I can say whatever I want \u2013 I mean, I always do anyway, but now I don\u2019t have to sugarcoat it.&nbsp; First up was&nbsp;<strong><em>The Waverly Gallery<\/em><\/strong>&nbsp;with&nbsp;<strong>Elaine May<\/strong>, not a name one immediately thinks of to helm a play about a woman in the beginning stages of dementia.&nbsp; To pace it just right and know when to give more and when to pull back is a master skill, and May handles it beautifully.&nbsp; The play itself is somewhat episodic in nature, but the performances were indelible.&nbsp; Everyone in this show was great (kudos to&nbsp;<strong>Joan Allen<\/strong>), but ultimately you\u2019ll walk out whistling Elaine May.<\/p>\n<p>One of the hot tickets in town was&nbsp;<strong>Stockard Channing&nbsp;<\/strong>and&nbsp;<strong>Hugh Dancy&nbsp;<\/strong>in&nbsp;<strong><em>Apologia<\/em><\/strong>.&nbsp; Since this was the play\u2019s final week, it was sold out.&nbsp; But that didn\u2019t stop me from going to the theatre anyway.&nbsp; Happily, I was able to grab a single seat \u2013 although in confirming my purchase, it sounded like the guy in the box office said \u201cOne ticket for Stockard Channing as&nbsp;<strong>Apollonia<\/strong>\u201d.&nbsp; For a split second, I had visions of Stockard in leather and lace, straddling a motorcycle, and singing \u201cWhen Doves Cry\u201d.&nbsp; Now THAT\u2019S a show I\u2019d fly out to see!&nbsp; Anything short of that was going to be a disappointment.&nbsp; Happily, the play is good and Stockard was her usual brilliant self.&nbsp; As great as Hugh Dancy always is, I felt he was woefully underutilized \u2013 but that might be because he never took his shirt off.<\/p>\n<p><a href=\"http:\/\/www.billymasters.com\/custom\/wp-content\/uploads\/2015\/01\/colorbar1.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-568\" src=\"http:\/\/www.billymasters.com\/custom\/wp-content\/uploads\/2015\/01\/colorbar1.gif\" alt=\"colorbar1\" width=\"500\" height=\"1\"><\/a><\/p>\n<p>I knew going into&nbsp;<strong><em>Torch Song<\/em><\/strong>&nbsp;that&nbsp;<strong>Michael Urie&nbsp;<\/strong>was miscast as Arnold.&nbsp; It\u2019s not that he\u2019s not good \u2013 he\u2019s exceptionally talented.&nbsp; But it\u2019s not an effortless fit.&nbsp; More often than not, it feels awkward and forced.&nbsp; Most of the blame falls on&nbsp;<strong>Mois\u00e9s Kaufman<\/strong>\u2019s direction, which could have (and should have) masked some of the issues.&nbsp; More often than not, Urie appeared to be trapped in an&nbsp;<strong><em>SNL<\/em><\/strong>&nbsp;skit filled with bad accents and schticky physicality.&nbsp; People either love or hate&nbsp;<strong>Mercedes Ruehl&nbsp;<\/strong>as Arnold\u2019s mother.&nbsp; I thought she was fine.&nbsp; Great even.&nbsp; Specifically, you completely believed she was Urie\u2019s mother because many of their mannerisms were strikingly similar.&nbsp; Arnold\u2019s on-again, off-again bisexual lover Ed was played to perfection by&nbsp;<strong>Ward Horton&nbsp;<\/strong>(who I previously enjoyed in a play nobody else saw), while&nbsp;<strong>Michael Hsu Rosen&nbsp;<\/strong>was a deliciously conniving twink Alan.&nbsp; But why, oh why, did they cast someone as the son who looks twice the age he\u2019s supposed to be?&nbsp; This David looks like he stumbled in from a post-college Propecia commercial.&nbsp; When Ma mistakes him for her son\u2019s new lover, it seems completely plausible.&nbsp; If anything, David looks like he could be Arnold\u2019s sugar daddy.&nbsp; Sorry, I calls \u2018em like I sees \u2018em.<\/p>\n<p><strong><em>Lifespan of a Fact<\/em><\/strong>&nbsp;stars&nbsp;<strong>Daniel Radcliffe<\/strong>,&nbsp;<strong>Bobby Cannavale<\/strong>, and&nbsp;<strong>Cherry Jones&nbsp;<\/strong>\u2013 a terrific trio, indeed.&nbsp; Cherry ends up with the short end of that stick (I kept picturing&nbsp;<strong>Elizabeth Ashley&nbsp;<\/strong>in the role).&nbsp; Cannavale plays a difficult but acclaimed writer hired to write an \u201cessay\u201d for a magazine.&nbsp; Radcliffe is assigned the role of \u201cproofing\u201d the essay.&nbsp; He comes up with 129 pages of notes for an essay that is only 15 pages long!&nbsp; It\u2019s a fascinating discourse on how sometimes the truth can get in the way of a good story.&nbsp; Is fudging OK if it helps the narrative?&nbsp; Or is a lie always a lie?&nbsp; As someone who struggles with this weekly (yes, I\u2019m talking to you, Pasadena), it definitely hit home.&nbsp; The play is smart, funny, and engaging \u2013 to say nothing of topical.&nbsp; Definitely my pick of the week.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Then I had to rush to LAX to catch a plane to NYC.&nbsp; Since I paid for all my show tickets, I can say whatever I want \u2013 I mean, I always do anyway, but now I don\u2019t have to sugarcoat it.&nbsp; First up was&nbsp;The Waverly Gallery&nbsp;with&nbsp;Elaine May, not a name one immediately thinks of<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-4529","post","type-post","status-publish","format-standard","hentry","category-breaking"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/4529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/comments?post=4529"}],"version-history":[{"count":1,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/4529\/revisions"}],"predecessor-version":[{"id":4530,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/4529\/revisions\/4530"}],"wp:attachment":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/media?parent=4529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/categories?post=4529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/tags?post=4529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}