{"id":5118,"date":"2019-06-30T23:00:30","date_gmt":"2019-07-01T06:00:30","guid":{"rendered":"https:\/\/www.billymasters.com\/custom\/?p=5118"},"modified":"2019-06-30T23:00:30","modified_gmt":"2019-07-01T06:00:30","slug":"dunaway-has-tea-at-five","status":"publish","type":"post","link":"https:\/\/www.billymasters.com\/custom\/blog\/2019\/06\/30\/dunaway-has-tea-at-five\/","title":{"rendered":"Dunaway Has Tea at Five"},"content":{"rendered":"<p align=\"center\"><span style=\"color: #ff0000;\"><em>\u201cAnd then it dawned on me \u2013 I\u2019ll go back to my roots.&nbsp;<br \/>\nThe theatre.&nbsp; Back to Broadway.&nbsp; Big mistake.\u201d&nbsp;&nbsp;<\/em><\/span><span style=\"color: #ff0000;\"><em>&nbsp;&nbsp;<br \/>\n\u2013&nbsp;<\/em><span style=\"font-size: xx-small;\"><span style=\"font-family: Verdana;\"><strong>Faye Dunaway&nbsp;<\/strong>as&nbsp;<strong>Katharine Hepburn&nbsp;<\/strong>in the play&nbsp;<strong><em>Tea at Five<\/em><\/strong>.&nbsp;<br \/>\nThis may be one of those art-imitating-life-imitating-art moments.<\/span><\/span><\/span><\/p>\n<p>In years to come, when I contend that nothing exciting ever happens in June, please remind me about&nbsp;<strong>Faye Dunaway<\/strong>\u2019s appearance as&nbsp;<strong>Katharine Hepburn&nbsp;<\/strong>in&nbsp;<strong>Matthew Lombardo<\/strong>\u2019s&nbsp;<strong><em>Tea at Five<\/em><\/strong>&nbsp;at Boston\u2019s&nbsp;<em>Huntington Theatre<\/em>.&nbsp; To enumerate Miss Dunaway\u2019s theatrical talents is beyond the confines of this column.&nbsp; Surely she has the goods \u2013 skills that were honed at&nbsp;<em>Boston<\/em>&nbsp;<em>University<\/em>, which utilizes the Huntington Theatre for its productions.&nbsp; Alas, the necessary ingredients did not come together for an unforgettable evening of theatre.<\/p>\n<p>To be fair, opening night was after only a handful of previews, Faye is 78, and she hasn\u2019t been on stage since\u2026well, don\u2019t even go there.&nbsp; On the positive side, she does get through the show \u2013 although one can hardly say that in an ad.&nbsp; What is curiously absent is anything even slightly reminiscent of the Great Kate.&nbsp; In her red wig, Dunaway physically evokes memories of a latter-day&nbsp;<strong>Mary Tyler Moore<\/strong>.&nbsp; Her character may have a broken ankle, but Faye\u2019s Hepburn walks around with ease.&nbsp; Where is she going?&nbsp; To take sips out of strategically placed glasses of water.&nbsp; After all, seniors need to stay hydrated.&nbsp; There is not the slightest tremor \u2013 although the malady is referred to in the script.&nbsp; Hepburn\u2019s inimitable tight Yankee diction is all but missing.&nbsp; As to the words, they don\u2019t come to Faye easily \u2013 despite the aid of an earpiece (unless she is also guiding planes into&nbsp;<em>Logan<\/em>&nbsp;<em>Airport<\/em>).&nbsp; Dunaway\u2019s acting style is more of a slow, intense burn rather than Kate\u2019s natural clip.&nbsp; It\u2019s a strange confluence that simply doesn\u2019t gel.&nbsp; As performed by La Dunaway, Lombardo\u2019s script seems less engaging here than ever before.&nbsp; I suppose it could all come together during the course of the remaining two weeks in Boston.&nbsp; But&nbsp;<em>Broadway<\/em>?&nbsp; I don\u2019t think so.&nbsp; Frankly, I\u2019d advise all fans to swarm to Boston immediately.&nbsp; At least that way you\u2019ll be able to say you saw it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cAnd then it dawned on me \u2013 I\u2019ll go back to my roots.&nbsp; The theatre.&nbsp; Back to Broadway.&nbsp; Big mistake.\u201d&nbsp;&nbsp;&nbsp;&nbsp; \u2013&nbsp;Faye Dunaway&nbsp;as&nbsp;Katharine Hepburn&nbsp;in the play&nbsp;Tea at Five.&nbsp; This may be one of those art-imitating-life-imitating-art moments. In years to come, when I contend that nothing exciting ever happens in June, please remind me about&nbsp;Faye Dunaway\u2019s appearance<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-5118","post","type-post","status-publish","format-standard","hentry","category-breaking"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/5118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/comments?post=5118"}],"version-history":[{"count":1,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/5118\/revisions"}],"predecessor-version":[{"id":5127,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/5118\/revisions\/5127"}],"wp:attachment":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/media?parent=5118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/categories?post=5118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/tags?post=5118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}