{"id":90395,"date":"2022-05-22T23:23:53","date_gmt":"2022-05-23T06:23:53","guid":{"rendered":"https:\/\/www.billymasters.com\/custom\/?p=90395"},"modified":"2022-05-22T23:23:53","modified_gmt":"2022-05-23T06:23:53","slug":"glaad-honors-company","status":"publish","type":"post","link":"https:\/\/www.billymasters.com\/custom\/blog\/2022\/05\/22\/glaad-honors-company\/","title":{"rendered":"GLAAD Honors Company"},"content":{"rendered":"

Last week, I made my first trip back to New York City since well before the pandemic.  Consequently, this was my first time back in a Broadway <\/em>theatre in over two years.  I was delighted to kick off my trip with the revival of Stephen Sondheim<\/strong>\u2019s Company<\/em><\/strong>.  Everything that could be said about this gender-bending revival has already been said.  Sometimes it works, sometimes it doesn\u2019t; sometimes it illuminates a point, sometimes it distracts from it.  In one instance (the Joanne\/Larry\/Bobbie scene in act two), it improved on the original \u2013 although many critics disagree with me.  Chacun \u00e0 son go\u00fbt<\/em>.  That said, this is the first production I\u2019ve seen of Company<\/em> where the scenes (the acting) were even stronger than the songs (the singing).  Once one gets past the drawn-out opening, you get to Harry and Sarah \u2013 played with gusto by Christopher Sieber <\/strong>and Jennifer Simard<\/strong>.  You are not likely to ever see this done better\u2026ever.  Simard is a scene stealer, in the best sense of the word, and Sieber\u2019s rendition of \u201cSorry-Grateful\u201d actually showed both sides of his argument \u2013 and got both reactions from the audience.  Another stand-out performance is Matt Doyle<\/strong>, as a delicious Jamie (aka Amy) \u2013 and not bad to look at!<\/p>\n

While I know I should talk about Katrina Lenk<\/strong>\u2019s Bobbie, I don\u2019t have much to say.  I think she was fine.  She didn\u2019t enhance the role or the show in any way for me \u2013 nor did she get in the way of it.  I\u2019m not convinced she can effortlessly sing the score, nor did I buy her apotheosis.  But, you know\u2026whatever.  As to Patti LuPone<\/strong>, she is as droll and laconic as ever, and vocally she\u2019s in fine form.  I suspect I would have enjoyed her Joanne more had I seen it across the pond where it might have been fresher.  She is never less than authentic and mesmerizing.<\/p>\n

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It was happenstance that I ran into Wilson Cruz <\/strong>outside of the Bernard B. Jacobs Theatre <\/em>where Company<\/em> is playing.  He was there to present the cast with the GLAAD Award <\/em>for Outstanding Broadway Production <\/em>(which they shared with Thoughts of a Colored Man<\/em><\/strong>).  The presentation took place during the curtain calls with a speech not only about Sondheim and the LGBTQ representation in this specific production, but also praising the openly gay cast members \u2013 including Matt Doyle and Christopher Sieber.  After the audience left, everyone returned to the stage for some photos\u2026and the fact that I was alone in the empty theatre and inadvertently photobombed the event was another one of those happy coincidences.<\/p>\n","protected":false},"excerpt":{"rendered":"

Last week, I made my first trip back to New York City since well before the pandemic.  Consequently, this was my first time back in a Broadway theatre in over two years.  I was delighted to kick off my trip with the revival of Stephen Sondheim\u2019s Company.  Everything that could be said about this gender-bending<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-90395","post","type-post","status-publish","format-standard","hentry","category-breaking"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/90395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/comments?post=90395"}],"version-history":[{"count":1,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/90395\/revisions"}],"predecessor-version":[{"id":90404,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/posts\/90395\/revisions\/90404"}],"wp:attachment":[{"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/media?parent=90395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/categories?post=90395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.billymasters.com\/custom\/wp-json\/wp\/v2\/tags?post=90395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}